patrick siech follows up on his last two parabel releases with a mindbending four track ep. analog produced techno that nourishes mind, body and soul.

chicago s finest dj rahaan has teamed up with the now legendary liverpool disco festival for an ultra-dope double 12inch offering of legit, fully licensed and fully flipped remixes and re-edits from the west end vaults. sounds like disco heaven, right? in order to be let loose in the vaults you really need to know your stuff and we all agree that rahaan ra knows his stuff! this dream collabo sees him (respectfully) touching some of the jams that made west end the dance music powerhouse that is today. that s right, we re talking rarities, foundation tracks, the cornerstones of modern club music. these are wonderfully executed and brand spanking new versions of classics, who says you can t have your cake and eat it too ? well, brenda taylor actually, and that is only one of the joints on this special release alongside mahogany s boogie anthem ride on the rhythm , chuck davis spirit of sunshine and billy nichols give your body up to the music . spread across 2 hefty slabs of beautifully mastered wax we get to enjoy rahaan s reworks in all their uninterrupted glory, just as the disco gods intended. truly a match made in heaven, you will not want to miss out on this essential, extra-fresh west end / rahaan / liverpool disco festival release!

from deep inside of berlins 24/7 darkrooms, here comes dj citys debut maxi single. two house trax made out of body fluids, pain and laughter after, to accompanize the teenage sex drive that want never ever fade away.

the franchise goes one cut deeper as parasols aka ali renault and antoni maiovvi team up on this dark as hell during an eclipse set of grime soaked grease sleazers. parasols throws forth two sharp as blades numbers with a guest appearance by the one and only unit black flight with his first ever remix. antoni maiovvi closes things with something from the vaults, the 808 and sub bass sleekness of shivers, remixed by black metal ebm overlord equitant. guaranteed nightclub nightmares as we put on the gloves one more time...

it was vladimir ivkovic who introduced me to the world of rex ilusivii. a world where the spirit of a genius holds sway. i remember spending an entire night at vladimir s house in germany, listening to all those recovered pieces, and feeling like i had entered another space-time. mitar tragically left us, one november night in 1999 in brazil, leaving behind an extensive body of work consisting of more than 500 pieces, for the most part never released. being submerged in such a unique universe, so singular, brought me happiness. it also filled me with hope, because i tell myself that today there must be many other outstanding musicians who produce in the shadow of the traditional circuit, just for the pleasure of making music. listening to the music of mitar suboti&#263,, makes you part of his world. he did not stop producing from 1983 to 1999, in different styles, but with an instantly recognizable touch.his music also marries the evolution of recording techniques with new instruments that have appeared over this time, from the tr808 to the digital samplers. it took me more than two years to select the music for this record, as each time i listened to the material it revealed other details and other possibilities. i am extremely happy and honored to present this record to you, in which i try to do justice to the different, versatile- facets of suba.

limited coloured double vinyl in gatefold sleeve with dvd and download code included.

lord tusk has associated with acts like klein, john t. gast, dean blunt, yasiin bey aka mos def, and released on jon rusts levels, funkinevens apron, soul jazz records and low income $quad. communiqué is made of breathy, glossy sci-fi electro, bitcrushed drum samples and minneapolitan funk feng shui, the hits and stabs of new jack swing and fm boogie, all pieced together with a one-take energy but a meticulous attention to detail. it’s songwriting for a miscellaneous kind of soundsystem music, body music, flamboyant across tempo, from the yearning thump of shyne eyed gal to the puffed-up strut of champion lovers (sounding like a home-taped electrifying mojo opener), the staggered slink of beyond limitation’s unfiltered tones to the 4x4 uptempo skid of don’t be shy or the veering slap-bass groove of elevation. it’s a record that shoots around corners, conjuring lazy romances and smokey vistas, lit by the nocturnal shimmer of an electrified city, streaked with gargantuan, shrill, birdlike call-and-response riffs and visited by the astral bodies of teddy riley, gerald donald, prince.

20/20 vision welcome nathan jonson to the label to deliver some of his esteemed beats - he was previously known as hrdvision, and as a member of midnight operator alongside his infamous brother mathew. it is in fact mj who gets the run of the a side with a bouncing, bubbly remix of -business- that calls to mind some of the most wriggly threads in that unmistakable jonson sound. -let your body- strikes a different tone on the b-side, conjuring up some rave ghosts and decanting them into a thoroughly modern club burner heavy on the dramatic arrangement and sure to create wild responses on the dancefloor. -business- in its original form is a loose and funky-as-hell electro jam with live, glutinous monosynth flex and detroit-tinted pads to die for.

the new ep by german duo grandbrothers is a collection of remixes and re-interpretations of their standout track bloodflow. the remix by uk producer lone was introduced last autumn but theres brand new tracks to be found here by german techno electronic vanguard christian löffler, everyones favourite new idm producer brainwaltzera and new permanent vacation signing aera grandbrothers are the sum of unique parts: progressive swiss engineer/mechanic/sofware designer lukas vogel and german-turkish pianist erol sarp. their second album open twins sarps piano skills with vogel’s talent for both building the homemade intricate mechanics with which he exploits his partners instrument and also designing its software. sarp works at his ivory keyboard while, from behind his own computer keys, vogel live-samples his partners notes, triggering further effects with the aid of diy electronic apparatus that physically manipulate the pianos strings and body.

body music, mind music, ass-shaking and head-boggling, clay wilsons third release on the bunker new york is a dance ep that manages to be both restrained and cacophonous, speaking to his classical training as well as his years as a dj, producer and sound tech. since we first met clay as a new-to-new york city bunker party regular back in the public assembly days, through releasing his earlier music and having him join us at numerous label showcases around the world, we’ve come to know him as an exceptional producer and dj, an essential part of the bunker family and a regular fixture in our lineups. this new release is an expression of the deep relationship weve all forged through years of raving together of freaking out to an unreleased track on the dance floor only to find out your friend made it and then getting a crew together to remix it and put it out!

mihai popescu kicks off a new label, steppin motion records, with two of his own brilliant tracks. the romanian artist has been a key part of the scene since 2012, releasing on labels like soulsity, rora and bass culture. he has a slick electronic sound that is here for all to here on these two new cuts.

steppin motion is a record label based in paris and managed by swoop. it aims to promote music as an art, as something beautiful that gets your body and soul in motion. this first ep is in two parts, showcasing both sides of the label: the first part is the most dance oriented, whereas the second part will be more soul / beauty oriented. the amazing artwork comes from vesod, who is an italian street-artist painter from turin.

selfsuficient is first and is ten minutes of slippery house music with lovely chords and melodies all making for a warm and infectious groove. it is colourful, loose and rhythmic stuff that oozes a futuristic sense of soul. neasteptat is deeper, with rubbery drums and woodpecker like sounds all weaving round each other to cast a spell on those who hear it.

these are two terrific tracks that connoisseurs of minimal house are going to lap up.

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular under the influence series. following on from red greg, paul phillips, james glass, nick the record and sean p it’s now the turn of one of the scenes most respected live disco acts and renowned dj’s, faze action.

komponist und filmemacher anthony tombling jr aka cuts arbeitete bereits mit fuck buttons, james holden, haxan cloak und wire zusammen und veröffentlicht nun den soundtrack seines experimentalfilms “exist” auf village green (cd, zwei vinyl-eps). inspiriert von einem h.p. lovecraft-gedicht, erkundet der 40-minütige film die phänomene albträume und schlafparalyse. cuts’ musik basiert auf düsterer electronica mit einflüssen von mogwai und my bloody valentine. der track “bunsen burner” wurde bereits in ivor novellos prämiertem soundtrack zu alex garlands sci-fi-meisterwerk “ex machina” eingesetzt.

betonkust has been spotted lurking in the realm of seedy late night body music alongside artists such as palmbomen ii, landing his noirish wares on 1080p, pinkman and most notably dekmantel. now he makes the logical leap to crimes of the future alongside equally accomplished belgian producer innershades, previously spotted on wicked bass, creme organization, hot haus and many more besides. the sound on forever in boccaccio is totally fitting for crimes of the future, all muscular drum machines beats and analogue synth lines angled to send a shiver down your spine. watch out for the unexpected rave hit of -jambers at carat afterclub- which comes on strong with some fist-shaking peak time euro techno motifs.

(180 g vinyl incl. dl card) following its launch in 2006, slaters l.b. dub corp moniker has been responsible for refreshing house music on labels like mote-evolver and ostgut ton, with the latter hosting the pseudonyms debut album in 2013. side effects is the projects first body of work since then. i wrote the tracks over the last year between being on the road as p.a.s. and playing a few l.b. dub corp house sets, which naturally evolved into side effects almost accidentally luke slater

whether he is sample jesus, mpc-man or just cuthead from the block, the dresden based artist is here to help you discovering your body s potentials.

arkajo back with three new cuts on the aniara frequency! travelling through endless soundscapes in his elegant yet rugged style. mysteries to investigate with body and mind.

vinyl only release - x 300 pressing only

niles cooper has got something for your mind, your body and your soul. the danish producer knows how to produce old school classics to bring us back to the 90s.

the next offering on crosstown rebels comes from italian trio pastaboys, who gift us with a rhythmic and hypnotic three-parter. they invite the inimitable rebolledo to take on remix duties to complete this package. the ep is a trance-inducing affair. the trio lure us in with opener kolo kolo. its funky rhythm sets a precedent as its trance-inducing power builds layer upon layer into an intoxicating and hypnotic groove. abbassa is up next. heavy on the bass, with a sensuality that is palpable. the african vocal adds a tribal touch before the track tumbles into a crescendo of urgent synths. rebolledos version of abbassa is a more cosmic affair, staying true to his psychedelic inclinations and with an added a bass guitar groove. pastaboys have been releasing music since the dawn of the new millenium. they’ve showcased their tasteful and highly refined productions on imprints such as 83 west and defected. releases such as born again, body resonance, limit, hozho, deep musique prove that their music is timeless and that dance music is still a matter of groove and soul.

back in 90s san francisco scott, gavin and robbie hardkiss helped pioneer the american underground scene with their club nights, warehouse parties and groundbreaking record label. they forged a new direction for dance music with a string of vinyl releases by hawke, god within, little wing and rabbit in the moon, culminating in the seminal compilation delusions of grandeur released in 1995. delusions of grandeur made the billboard dance charts, went to no.1 on the rolling stone alternative album chart and launched the international dj/production careers of the hardkiss brothers. in 2018 to celebrate the 20th anniversary, the album was remastered and re-released with this new vinyl.

following up on melodymathics’ latest 12”, demuir’s vibe is back on a limited 10” with a rather unique track called “howz your body?”. on the flipside label boss melodymann delivers the track “disco switch” and 4 groovy, hypnotic loops. the straightforward house sound of the record exudes funky and sexy beats that are consistently recognized and sought by artists and dance music fans around the world.

das darkwave elektronik-duo boy harsher aus northampton, massachusetts, startet sein eigenes label nude club. auf nude club werden am 27.04.2018 erstmal die beiden vergriffenen kult-alben „lesser man (extended version)“ und „yr body is nothing“ wiederveröffentlicht. am 11. mai folgt dann die limitierte, brandneue „pain ii“ 12“ mit einem edit ihres maschinen bangers „pain“ und einem ebenso knallharten remix von the soft moon.

disciplined, curated and healed ep by the flip.

2018 repress - a marriage of unsettling textures with deep and heavy kicks. killer surgeon!!

mechatronica launches their new white series, dedicated to limited edition white label records across synth, wave, ebm and italo with a va release featuring inhalt, violet poison, sneaker and daniel holt.
mechatronica white 1 opens with sneaker’s gloomy remix of german synth-pop band opus leopard, followed by the electrifying instrumental version of “alles” - a relentlessly progressing piece of body music from san francisco trio, inhalt. on the flip, violet poison summons a fat, trippy ebm-leaning groove, before daniel holt finishes off the record with anthemic synths and a ticket to the cosmos on “floating mansions”.

surgeons new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories.

ab syndrom, the berlin duo, is coming with their third album. plastik is a bit like the coming of age album of the band. it tells stories of growing up emotionally and being played into a hard and post capitalistic environment. nevertheless you will find some quite romantic lyrics and songs between lyrical metaphors and a rough and urban reality in berlin neukölln, their neighborhood. the music on plastik is mainly a percussion driven and electronic laden journey. not your average pop arrangements but subtle compositions and laid back vocals with a certain chopped and screw twist. the bands musical projection is a most consequent advancement of their three albums and their body of work so far. bennet seuss, singer and composer is defining his own style in writing autobiographic lyrics with a certain twist to the obscure and umtransparent. a great album for sure.

tolles soul / r&b album für fans von blood orange, kindness, jamie lidell oder auch der s.o.s band. stimulator jones wird bereits seit einiger zeit in den einschlägigen kreisen hoch gehandelt und wurde auch von der bbc in deren “most exciting new music acts 2018” aufgenommen. eine weitere tolle entdeckung von stones’ throw!

australian man of mystery privacy returns to klasse wrecks after a 3 year hiatus and the wait has most certainly been worth the while. four original tracks make up the new product ep, with the artist exploring new styles and tempos. ranging from electro-speed to stomp-wave, each track is a masterclass in the style of privacys ever expanding body of work.

fresh for 2018 the ever pioneering octave one are bringing us some brand new music for the new year. using their much loved random noise generation alias the upcoming release entitled n2 the enfinate , contains a new single as well as a remake of rock my soul in the form of the reborn vocal remix . the first random noise generation release was falling in dub in 1991 and sounding just as fresh 27 years later,‘n2 the enfinate’ is due for release this march. for this single a retro energy has been explored in the title track the enfinate , running parallel to a more contemporary groove and rolling, marauding baseline. the second track on the package, rock my soul (reborn vocal remix) starts with a strong intent and a weighty bassline paving the way for precise and bright chord stabs. the single is taken from the new album endustry, a full body of work encompassing 7 full length cuts, set for release in spring. after touring and making music for decades the spirit and essential energy of the craft is what keeps them eternally inspired to keep creating and touring the globe. once it takes hold of you you cant stop even if you wanted to. say the brothers.

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

- amazing and lovingly crafted box
- red colored vinyl in 180g
- strong limited numbers worldwide
- very special printed banderole
- each vinyl in a fullcover printed sleeve - more than 40 tunes - 10 vinyl -

chris romans has been rolling out crucial electro jams for a number of highly regarded labels since the early 00s. amongst them are touchin bass, shipwrec, frustrated funk and central processing unit, so that tells you everything you need to know about the level he s operating at as 214. now he comes to 20/20 vision with some body-poppin jams of the highest order, broadening the tech house label s remit to embrace the thriving electro scene with one of its most vital practitioners. potential events is a brooding, atmospheric affair while windeye draws on a more playful, detroit indebted palette of sounds. radioactive man remixes windey- with a steady, finely detailed approach, and then back to sine finishes the record off with another snappy salvo of funky drums and bubbling synths.

alongside farfa and roby j, miki the dolphin kicked italy s tuscan techno movement into high-gear during the 1990 s. earning his first residency 38 years ago, the captivating sounds purveyed by miki and his compatriots would go on to influence the entire italian peninsula for the greater part of a decade. miki can still be found fusing elements of his avant-garde past with future-leaning house and techno in his dj sets today, having assembled a cult-following thanks to his sought-after mixtapes, highly-collectable releases and research into the 432hz phenomena.

originally released between 1996 and 1997, the tracks on this phonographic disk have been remastered and re edited with contemporary standards in mind for your listening pleasure and playability.
lead track, apple, incorporates live instrumentation with tough, northern italian rhythms. caterpillar glimmers and undulates across its pristine psychedelic and progressive landscape, sacre graal is a fine slice of timeless, electronic body music. one for those who know.

after a hectic weekend you awake dazed and confused deep in the urban jungle. as the sun starts to rise, in the distance a lush pad starts to drift closer. the sounds of your past... a time when everything in the world was right, perfect. tearing breakbeats release, kinetic energy moves your body and you start to reminisce about friends, love and music. days gone by, the vibe never ends. jem one kicks off 117 spring with 3 fresh cuts pressed on a special edition clear & white mixed vinyl.

a uk techno powerhouse returns to bass culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from d julz s respected label. ben sims appears under his ron bacardi alias with a follow up to 2015 s debut release, rock your body/first effort . much like the first ep, sims new release is fired up and ready to deliver its potent energy to the dance floors of the world.on the a side we re met with windy city , which kicks things off in frenetic style, its slamming beats colliding with the layers of analogue to produce a rather chaotic start to proceedings. this is followed by ready for action a tough, bouncing cut featuring a delectable female vocal which really sets things off nicely.the flipside continues in a similar vein as one left in the chamber brings a smooth vibe, though with the emphasis still on the percussive side of things. sims flexes his production muscles across all four tracks here, injecting the music with his years of experience on the road and in the studio. the last track is a beats mix of ready for action , highlighting the focus on beats, beats and more beats, adding an extra touch to an already powerful track. this is music par excellence from an artist who is a consummate professional, enjoy!

we welcome the vinyl format after a hiatus to embark into an energy-driven journey, full of potent, cross-genre tracks courtesy of mr. ben cano. ben, which previously collaborated on this label as tenientetuko, builds on the previous album-creating experience and he outdoes himself in multiple ways, keeping the variety of groove encompassing all together with his propelling signature techno ethos. deep snowmass starts the ep in a harsh, mental way to induce rapidly to a dark feeling which leaves you in the void with a malleable conscience that allows your body and soul to float, with the help of an ever-building acidic bass and pulsating percussion. rocky mountain goes to other heights, using a uplifting rhodes chord and effective drum programming to deliver a dreamy wave of full potential. between dub, hitch and tube 8 seal the deal with energetic, acid-infused and sometimes-housey takes from his recent live set, which he manages to reorganize in the track format we currently offer as black pressed acetate.

after leaving his noise-soaked techno signature on details sound with the uncompromising informations 12inch, a hand is returning to the label with a healthy dose of enigmatically crafted sounds, made to stick in your head and body intensely. on breakline, a hunting dark bassline is backed by relentless drum patterns cut with machine gun precision. for a better end takes off into a swirling atmosphere propelled by anti-gravity beats. slow injection expands further into dense and obscure realms of electrified experiments. the wandering your lost dreams carries us to a breathtaking conclusion filled with abstract suspension. slow injection ep is a four-cuts selection of captivating tension and release from italian producer and sound artist giuseppe magistro. edition of 300 copies.

unknown johnny cash writings brought to life as new songs by chris cornell, ruston kelly & kacey musgraves, rosanne cash, alison krauss & union station, brad paisley and more. comes as double vinyl in gatefold sleeve with download code included.

connan mockasins new album *caramel* - excpect nothing but yet another prome example of shocking great weird ness, a total standout in todays pop!
the vinyl lp includes downloadcode and a 12x12 inch full-color insert.

berlins own steffen linck, a multi-instrumentalist known as monolink, announces his debut album amniotic, due april 20th via embassy of music subsidy embassy one. it is the experiential nature of monolink’s music that defies the muddy definition of modern live electronic music. armed with a singular blend of berlin underground culture with the pop-leaning sensibility of american electronica, steffen transports listeners into his own realm of sonic exploration. the music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals acting as a singular point of departure for this budding talent. amniotic stands as monolinks first complete body of work, following his 2017 ep burning sun via sol selectas, and the end, a collaborative record with acid pauli in 2015.

2023 repress - pablos eye is the science of studio pressure, when engineer becomes artist. appropriating left and right as well as front and back, pablos eye uses the mixing desk to examine and exhaust the possibilities of moments. pablos eye is a record of that examination and exhaustion, but it is also a record of its own inner space. by means of depth placement, psychoacoustics and spatial fug, pablo’s eye is experienced in the deeper reaches of the body, bypassing the conscious part of the mind entirely. . pablos eye is the turning of recorded music inside out to show its seams. it interrogates a song, stripping down the body of the song to reveal its bones. pablo’s eye is in the interstices of music, it plugs the gaps, fills the holes. pablo’s eye seeks out the concealed mechanisms, it is a songs hidden agenda. for this compilation, it was decided to present the softer air-beatings of pablos eye. more than anything, pablos eye is a temporary atmosphere, like a taste or a dream.

kris baha is fast becoming one of the most essential operators in the deviant disco underbelly of berlin s scene, despite having landed in the city relatively recently. baha s credentials with labels like power station and parties in melbourne are all that you need to know, and now this release on the ever mighty cocktail d amore seals the deal. baha has never sounded more confident, pinging deviant synths around nasty drum bite and channeling the gods of industrial darkness to make some rugged body music for the darker kind of dancefloor. the experimental, non-party tracks are just as wild, dealing in all manner of uncompromising noise to further bahas journey to the upper realms of sonic mud slingers

here appear is an invocation, a salutation, and a celebration — of past and perfect lives, forgotten and remembered, exchanged and borrowed. eve essex’s solo debut is a multi-instrumental fea(s)t combining synthesizer, drum machine, alto saxophone, piccolo, electric organ/harpsichord, harmonica, slide whistle, bells, guitar pedals, and voice— composed, arranged, and performed by essex herself. what began as an improv set at berlin’s harlekin bar, developed over the past two years into a complete body of work evoking multiple time periods, genres, characters, and sonic landscapes.

having established partisan with a bedrock of essential talent, anthea steps out with her debut ep. “smile” kicks off the ep with infectious techno, a healthy dose of acid, and funk induced drum programming. “everything is aok” plots a deeper, trippier course with intricate layers of synth and drum patterns to create a truly hypnotic mind and body workout. whilst “nrg for daze” presents the softer side of partisan, bringing gentle pads into the mix without losing the all-important acid undercurrent that makes for such powerful dance floor material. her “state of mind” ep is the perfect statement on where anthea is at on her artistic trajectory, as a producer, dj and label head.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

vinyl only release! 2018 repress
galluzzi and schneider: two masters of their craft and two specialists for merging minimal techno with dark house vibes. this particular sound that is high on demand when the club crowd get lost in the middle of night. lost in music. lost in the hot air that makes their bodies sweat. lost in these disco lights that makes us all dazed & confused. this very special sound, based on hypnotic and minimal beats with every bass sound hitting your body and soul.

standard doppelvinyl im gatefold sleeve inklusive mp3 downloadkarte.
der wahl-new-yorker chrome sparks veröffentlicht vielseitiges debütalbum auf counter records! chrome sparks (aka jeremy malvin) weiß, wie er seine tracks im besten licht stehen lässt. sein selbstbetiteltes debütalbum, das via counter records (ein ninja tune-sublabel) erscheint, sticht heraus mit einem funkelnden sound: eine euphonie aus hiphop, house und hell leuchtender arbeit am synthesizer. die platte ist das endergebnis jahrelanger arbeit in malvin’s marinewerft (seinem studio in brooklyn) und einer abgelegen hütte nördlich von new york. allein dort hat er einen ganzen monat allein zugebracht, um den ablenkungen der stadt zu entkommen und um diesen prozess zu destillieren, was anschließend zu einer periode intensiver kreativität wurde. auf dem album selbst finden sich zusammenarbeiten mit dem australischen duo kllo (ghostly) und body languages’ angelica bess (die auch bereits mit machinedrum kollaborierte). das album ist sowohl ergebnis eines obsessiven produktionsansatzes als auch über die rastlose jagd nach neuen ideen. sein kreative mentalität wurde sowohl durch live-auftritte als auch studiogegniedel geprägt. sie ist das grundgerüst, das es ihm erlaubte, so viele diffuse ideen wirklichkeit werden zu lassen, die schlussendlich in einem hervorstechenden und vielfältigen debütalbum resultieren.